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Theater Reviews
May 10, 2006 - Reno Little Theater's "Humble Boy," a beautiful and compelling presentation
By Jack Neal
"Humble Boy," one of the most completely pleasing Reno Little Theater
presentations in years, is now playing at the Hug High School Theater.
The play opened Friday (5/5/06) and is good enough - both as a play and
in production - to attract large audiences.
"Humble Boy," by British playwright Charlotte Jones, is a
modern-dress-and- updated-language spinoff on "Hamlet." With
Shakespearean overtones of familial problems, an uncertain son, Felix
Humble, and a domineering mother, Flora Humble, intent to marry quickly
after her husband's death, are on an emotional collision course. The
play embraces the psychology of this rocky mother and son relationship
with large doses of wit and considerable pathos.
To make matters more intriguing, the 40-something, socially
uncomfortable but brilliant Felix has regular conversations with Jim,
the gardner. Is Jim an apparition or real? Is the production's lush
garden set real or symbolic? How does your garden grow, Jones seems to
be pondering. One reaps what one sows, she seems to answer. That's the
sort of thing "Humble Boy" is about. Adding texture and color as a means
to an end, Jones adorns her play with subplots relating to parenting,
the lives of bees and contemplations about the origins of the universe.
Enter the very brash George Pye, Flora's love interest, who can't stand
the prying nature of Felix's anguish over and questioning of his
mother's intention to marry. Rosie Pye, George's observant and pushy
daughter and former Felix lover, adds spice to the mix. Mercy Lott, the
delightfully inept but well-meaning neighbor, adds comic relief.
Kristen Davis-Coelho has directed Jones's poetic play and she keeps the
action and dialogue adroitly moving along; but not so fast that moments
to relish are trampled in the rush. The cast is excellent and this
theatrically smart director knows full well how to manage her players.
Davis-Coelho has also designed the set. It's attractive and practical
and allows the play's action to flow without interruption. Doug
Mishler's lighting designs and Gary Helmers' sound designs are both
first-rate. "Humble Boy" is produced - the person who thinks of
everything that needs to be done, then does them - by the indefatigable
Nancy Podewils.
As the bumbling but brilliant Felix, John Simpson is everything he
should be. Unkempt, socially blunt, awkward; yet cunning, distrustful
and a remarkable judge of character. Simpson is terrific. As is Cathy
Gabrielli who inhabits the role of Flora, Felix's mother. Gabrielli
moves from crusty to vulnerable, giving every scene she's in pulse. As
George, Flora's husband-to-be, Doug Mishler is excellent - grating,
annoying and very comfortable on stage..
As Rosie, Megan Conelly is clearly her stage father's daughter. She has
attitude - enough to go around. Conelly is a class act and is also quite
comfortable on stage. Julie Douglass plays Mercy, the generous and
kind-hearted neighbor, as a sweet eccentric. Her Mercy has a light touch
that brings deft down-home humor to the outdoor dinner scene where,
without knowing it, she plays opposite the deceased Mr. Humble's ashes.
This excellent cast has been directed into many magical moments. But the
most memorable scene comes at the play's conclusion, when Flora
encounters Jim, the gardner in a lovely and poignant meeting. With
lesser talents the scene could be deadly. But with the splendid Michael
Peters as Jim, and the compelling Cathy Gabrieli as Flora, the scene is
played as beautifully as a scene can be played.
There's nothing humble about RLT's "Humble Boy." It's nothing less than
triumphant.
The Reno Little Theater's "Humble Boy" plays Fridays and Saturdays May 5
and 6, 12 and 13, 19 and 20, at 8:00 p.m. and Sundays, May 7, 14, and 21
at 2:00 p.m. at the Hug High School Theater at North McCarran Boulevard
and Sutro Street, Reno, Nevada. For information and tickets go online at
renolittletheater.org or call 775-329-0661.
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