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Dance Reviews
Nov 7, 2005 - Dancing with Minh Tran & Company and the University of Nevada, Reno Dance Program
By Jack Neal
Barbara Land, the driving force behind the exceptional University of
Nevada, Reno dance program, dedicated the program's Fall Dance Festival
held last Thursday and Friday nights (11/3 & 4/2005) at Nightingale
Concert Hall to Nevada Festival Ballet founder Maggie Banks. Miss Banks,
who had a long and distinguished career in dance, died in Reno last spring.
Above all else, ballet was her first love. Maggie Banks danced
professionally as a ballerina, then moved onto films and nightclubs as a
choreographer of considerable success. The Maggie Banks dance lines at
Harrah's Lake Tahoe and Harrahs' Reno during the heyday of big-name
casino enterrtainment brought Miss Banks to Northern Nevada.
In Reno she has many disciples, Barbara Land being one. "To Where You
Are", choreographed by Kelly O'Neil, "Sentimentales", choreographed by
Barbara Land, and Saint-Saens' "The Swan", done with lights and music
only - no dancers - a la the tribute to Anna Pavlova upon that great
ballerina s passing, was a touching tribute to the influence of Maggie
Banks, whose legacy lives on but whose indelible presence will be
tremendously missed.
The student portions of the program were all impeccably choreographed
and danced. "L'Envitable", to the music of Stravinsky with choreography
by Sonja Delwaide, was dramatically danced by Silvia Martins. "L'eau" was danced by what might be called the program s corps de ballet.
Dressed in handsome blue gowns and moving to the music of John Williams
via graceful Barbara Land choreography, "L'eau" was danced with supple
elegance.
In the classical "Sentimentales", Eve Allen and Kristen Christiansen
were a splendid match and exhibited the kind of disciplined technique
for which Maggie Banks was renowned. Discipline and well-grounded
technique are the wings on which dancers soar and soaring and
remembering is what "Sentimentales " was so remarkable at expressing.
The largest group dance of the student portion of the program, seven
couples, was danced to Big Bad Voodoo Daddy's "I Need Some Advice". Not
included as part of the Maggie Banks' tribute, "I Need Some Advice",
choreographed by Suzette Feilen, nonetheless entertained in the style of
a Maggie Banks dance line in a major casino showroom. It was a terrific
number that only needed that extra oomph of execution to make it
thoroughly professional and just that much more thrilling.
Minh Tran & Company, a professional dance troupe residing in Portland,
Oregon, was the program s exclusive second-half offering. With chic,
colorful costumes of Asian influence designed by Tere Mathern ( executed
by Kristin Jager), framed by Christine Bourdette s exotic visual designs
and Bruce Keller's radiant lighting, set against a wash of musical
sounds including, but not limited to, traditional Buddhist music, Lou
Harrison's Symphony No. 13 and portions of Phillip Glass's score from
"Kundun", the company's conjoined series of dances via eclectic Minh
Tran choreography was captivating and powerful.
The company of four women and two men (Jae Diego, Sarah Ebert, Tere
Mathern, Jennifer Hong-Berdine, Mike Barber, Minh Tran) moved through
what they call "Nocturnal Path" ("Offering", "Chaos", "Emptiness",
"Becoming ") with a growing urgency reminiscent of the persistence of
Ravel's "Bolero". The bombarding accumulation of affecting designs in
movement and sound to the senses was hypnotic.
Minh Tran & Company is an exhilarating experience with dance. So too the
impressive use of fresh, young dancers by UNR dance director Barbara
Land. This dance concert was a sensitive and shrewd blend of new dance
talent with splendid professional dance artists.
For information about future University of Nevada, Reno dance programs
call 775 784-6145.
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