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Music Reviews
Nov 14, 2005 - The fabulous violinist Nadja Salerno Sonnenberg and the Reno Philharmonic
By Jack Neal
Giving robust life to Shostakovich's brooding violin concerto, while
retaining its rich lyricism is no mean feat. Doing both beautifully is a
Mount Everest climb, but the superb violin artist Nadja
Salerno-Sonnenberg is used to climbing the heights. She did so again
Sunday afternoon (11/13/05) before a large and appreciative audience at
Reno's Pioneer Center for the Performing Arts.
While Ms. Salerno-Sonnenberg climbs to the heights, critics reach for
adjectives to describe her dark-hued, sublimely lyric and intensely
vivid playing. From a hauntingly played first movement through a
breathtakingly athletic last movement, her reading of Shostakovich's
churning cold-war concerto moves from one sensational and revelatory
moment to another. Never does it mire down into a sense of sectionalism.
On the concerto's golden anniversary of its debut performance, Ms.
Salerno-Sonnenberg mines a mature expressiveness of this massive work
and gives its every phrase the ultimate in craftmanship and superb
musicality.
Played out in four movements - "Nocturne," "Scherzo," "Passacaglia," and
"Burlesca" with a cadenza between the third and fourth movements that
separates pretenders to concert violining from the real thing - the
concerto is a display piece and a profound musical utterance of the
first rank. In the gifted hands of a no nonsense, thoroughly dedicated
artist such as Ms. Salerno-Sonnenberg it's as moving to experience as
it's exciting to hear.
Conductor Barry Jekowsky is a most sensitive collaborator, as is the
orchestra. The Shostakovich concerto, with the musical demands and the
free-wheeling phrasing those demands force a violinist to make, is a
supreme challenge and the Reno Philharmonic under the skillful baton of
its conductor meets the challenge with an impressive flexibility and
virtuosity.
Impressive, also, is the program's curtainraiser, Rossini's Overture to
"Semiramide." This tour de force overture requires a tour de force
performance and that's what it got. Kudos to all for a dazzling show-off
presentation. Piccoloist Juli Betterton, clarinetist David Ehrke,
flutist Mary Miller, bassoonist Jeff Leep and oboist Andrea Lenz deserve
special praise. Rossini's demands for expert woodwind playing are a
comfortable fit for the philharmonic's nicely matched set of excellent
players.
Beethoven's enormously important and popular Symphony No. 5 in c minor
closed the concert on a high note of triumph. Beethoven's passion for
freedom and the rights of the individual so much at the heart of the
Enlightenment, ring true and through every moment of this superb work.
Capturing what Beethoven stood for through his majestic talent for
composition is one of the world's greatest artistic achievements.
Capturing Beethoven's sense of freedom and exhilaration through Barry
Jekowsky's insightful interpretation and the orchestra's splendid
response to its conductor's wishes, provide Reno Philharmonic fans with
an excellent re-creation of one of the great wonders of the world.
Obviously Maestro Jekowsky has made a study of Beethoven's writing by
poring over the composer's sketches and finished scores. The
from-the-podium lecture presented by the conductor with themes and
various exerpts from Beethoven's notes and scores played by the
orchestra is not a bad idea - just risky. Demonstrations and comments
need to be insightful enough to enhance what an audience is about to
hear, not upstage it. While not upstaging an excellent presentation of
Beethoven's Fifth, the comments from the podium, while interesting, did
not step up to the plate as succinct enough to further engage an
audience that seemed more than already engaged to love what it was about
to hear.
That having been said, the Shostakovich and Beethoven both received
noisy (lots of bravos), extensive - and well deserved - standing ovations.
The concert will be repeated Tuesday (11/15/05) at 7:30 p.m.
All Reno Philharmonic MasterClassics concerts are played at the Pioneer
Center for the Performing Arts, 100 South Virginia Street, Reno, Nevada.
Next up for the Reno Philharmonic is the orchestra's "Spirit of the
Season" concert starring Toni Tennille, December 4 (2005) at the Reno
Hilton Theatre, 2500 East Second Street, Reno. Nevada. For information
about Reno Philharmonic concerts and events call 775-323-6393.
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